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Setting the bar for art song studies
This year sees the National Academy of Arts Culture and Heritage (Aswara) setting the bar for Malaysians art song studies by commissioning and publishing a collection of new songs for the voice, based on texts by Malaysians writers. The collection is meant to serve as the syllabus for the academy's vocal studies and will undoubtedly be a reference point and catalyst for similar initiatives elsewhere as the community receives increasing exposure to Malaysia's fast growing new music scene. The collection 'I Nostri Canti', publ…
Sita's abduction re-imagined – a Singapore review
On 28 Feb 2020, Singapore music lovers were treated to a retelling of Adeline Wong’s 2007 piece ‘Empunya Yang beroleh Sita Dewi’ (He who possesses Sita Dewi). First commissioned by the Malaysian Philharmonic Orchestra at the time for a half-hour performance by the full orchestra with wayang kulit, Empunya Yang beroleh Sita Dewi added yet another modern commentary into the classic Ramayana. Wong later reworked the music into a 10-minute long condensation for string orchestra, and this new version was premiered by the Eastman Camerata at …
Ilysia Tan searches for 'perfection' at the 2022 ACL Festival New Zealand
With the regular Asian Composers League (ACL) festival rescheduled to 2022 in Christchurch, New Zealand, we profile Malaysia's young composer representative, this time from Penang, currently studying music at Singapore's Yong Siew Toh Conservatory. Tan's work made its debut officially on Malaysian shores as one of the pieces in MCC's Freehand Anthology I of 21st Century Malaysian piano works, and her propulsive “Drive” can be heard on the web player at the Freehand website . For her entry to ACL's Young Composers Comp…
New Zealand shifts ACL and ISCM festivals to 2022
UPDATED : The Composers Association of New Zealand (CANZ) hosts the next ACL festival in Christchurch. Originally scheduled in April 2020, the Covid-19 pandemic has forced the event to be moved to 2022. Originally, it was to run from Monday 27th April, till the evening of Saturday 2nd May. Many festival events will combine with the ISCM World New Music Days until 30th April, and the final two days will be ACL only. The ACL General Assembly meetings was to take place on the mornings of 28th April and 1st May in central Christchurch, and …
Mei Yi Foo takes Free Hand works 'Beyond Borders' in Singapore
Following the success of Malaysian Composers Collective's Free Hand Festival in Kuala Lumpur last August, UK-based Malaysian pianist Mei Yi Foo brings the programme across the Causeway to present a joint programme with Singaporean composers at 'Beyond Borders', happening at Yong Siew Toh Conservetory at National University of Singapore. Through this first ever joint programme, composers from both sides of the divide explore commonalities and diversities in creative ideas and styles, going past physical, social and historical bo…
Shadowplay this February, and Fireflies in March - 2020 premieres
The first quarter of 2020 is seeing Malaysian composers busy at work, with several new pieces lined up, from two new premieres for chamber orchestra and a new piano work for print. Coming up is Adeline Wong's premiere of a string orchestra version of her 2010 piece 'Empunya Yang Beroleh Sita Dewi' (He Who Possesses Goddess Sita) by the Eastman Camerata in Singapore on 28 February. The piece was originally commissioned by the Malaysian Philharmonic Orchestra for a chamber orchestra and wayang kulit collaboration, that relates a…
MCC launches country's first ever piano anthology
The piano is one of Malaysia's most popular classical instruments, with tens of thousands learning the instrument every year. It is no surprise that piano compositions thus form the bedrock of the country's new music scene. MCC has, since 2015 and earlier, been planning to put some of these scores into an anthology as part of its mission to document the musical landscape of the country and to promote the performance of Malaysian works. Its plans finally came to fruition after its pioneering Free Hand Festival brought together the p…
Korea Calling: Submissions for the tripartite International Exchange Festival
With the success of Free Hand Festival 2019 last August and the publication of our piano anthology, MCC has been invited to be part of the International Exchange Contemporary Music Festival 2020, a 3-way collaboration between Malaysia (Malaysian Composers Collective), Korea (Contemporary Music Society in Seoul) and Singapore (Composers Society of Singapore). This festival aims to foster a healthy cultural exchange amongst composers and performers from the three countries and also aims to enhance friendship and understanding between Korean,…
MCC's Free Hand Anthology I has been released on Faber Music.
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